they probably like to have a swing at me
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| Autore: | !minnie! [ 23/05/2006, 21:48 ] |
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| Autore: | scleraz [ 23/05/2006, 22:21 ] |
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| Autore: | Rinie [ 24/05/2006, 11:14 ] |
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they probably like to have a swing at me
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| Autore: | Arctic Rocker [ 24/05/2006, 13:48 ] |
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Qua c'è gente di buona volontà...anch'io potrei tradurre qualcosa,ma fino al 10 giugno non ho tempo...di letteratura inglese devo studiare Milton (!!!) e mi sa che mi interrogherà a breve... ![[smilie=92.gif]](./images/smilies/92.gif "92")
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| Autore: | !minnie! [ 25/05/2006, 13:09 ] |
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| Autore: | !minnie! [ 26/05/2006, 11:25 ] |
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| Autore: | !minnie! [ 26/05/2006, 11:48 ] |
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video in cui alex cerca di parlare con l'accento americano ahahha http://video.google.com/videoplay?docid ... ic+monkeys |
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| Autore: | scleraz [ 26/05/2006, 14:49 ] |
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un altro articolo più intervista dell'Indipendent sull'abbandono momentaneo di andy Arctic Monkeys: Too much monkey business The UK's latest indie superstars have lost a bassist at a crucial time. David Sinclair on the stresses of the music machine Published: 26 May 2006 The news that the bass player Andy Nicholson has dropped out of Arctic Monkeys, on the eve of a tour of North America, adds another dramatic twist in the tale of Britain's newest supergroup. A statement posted on the band's website on Monday revealed that Nicholson, 19, was suffering from "fatigue following an intensive period of touring". "The band have been on a European tour, which concluded last week," says Ian McAndrew of Wildlife, the management company to which Arctic Monkeys are signed. "Toward the end of that tour, Andy mentioned that he was feeling a bit drained, a bit run-down, which is not terribly uncommon, frankly. We have another North American tour starting in Vancouver on Friday and there was a discussion, and it seemed the best thing for us to do was to say: 'Take a break. Have a few weeks off and give yourself time to recover'. And while everyone's now looking at it as a major, significant event, the reality is that it's no more than that." For the immediate run of dates, which start in Vancouver on May 27 and end in Toronto on June 17, Nicholson will be replaced by Nick O'Malley, a friend from Arctic Monkeys' home-town of Sheffield, who plays in a group called The Dodgems. O'Malley, who has never performed live with Arctic Monkeys before, spent last weekend learning the group's songs by playing along to their records. Nicholson has lent O'Malley his equipment and been on hand at rehearsals this week to give him advice on playing the bass parts. According to McAndrew, it is an amicable, strictly short-term, substitution which will enable the group to honour its commitments, while giving Nicholson a little breathing space. "After the North American shows, there will be a period of festival activity," he says, "which is not as intensive as touring in the States or Europe where you are on a bus going from one town to the next, the whole time. Some people have got different tolerances than others. I think Andy would have been quite capable of continuing, but I think we all felt in the circumstances, after conversations, that this was the prudent thing to do." Nicholson is not the first musician to have bailed out from a band under such circumstances, and he won't be the last. One recalls the celebrated occasion when Liam Gallagher announced that he was too busy buying a house to be able to join Oasis for an American tour. And all sorts of stars - from Geri Halliwell to Richey Edwards - have made their exits from groups on the eve of American tours. But Nicholson's is surely one of the earliest such departures, from a group which seems to be playing out its entire career in fast-forward. For him, the stresses of stardom have doubtless been intensified by the speed with which they have been applied. The bass player was still on the dole when Arctic Monkeys' first single, "I Bet You Look Good On The Dancefloor", came out, last autumn. The record went straight to No 1, and the group became public property overnight. "We're just four blokes playing some music together," Nicholson said at the time. "But every night there seems to be more and more people out there. It's kind of like there's this storm around us and we're at the eye of it." Shift the theatre of operations to America and the storm becomes a raging hurricane. In Britain, Arctic Monkeys have enjoyed the luxury of dictating their own terms to the media. An appearance on Top Of The Pops was ruled out on the grounds that it would be too cheesy. Ditto CD:UK ("We said 'no' - just because it's daft"). But in America there is no escape from the cheesy interview situation and the mandatory glad-handing of everyone from local DJs to record-shop managers. "I don't think Arctic Monkeys work harder than any other band, regardless of their success," McAndrew says. "In fact, I have to say they probably work less hard than many bands because, as is well documented, they don't do an awful lot of promotion. They do the live shows; three shows in a row, then a day off. Some bands do a show every night. It's the travelling that takes its toll. That is the most tiring activity and that tends to be where the problems start. Obviously in our position... the welfare of people [is] very important to us. We don't want to get into a position where they start an American tour and the problem exacerbates itself to the point that we have to cancel dates or fly people home and things." The journalist Craig McLean, who spent several months on the road with Arctic Monkeys, recalls a day in Paris when the band were presented with a schedule of interviews lasting eight hours. "The record company had set up a whole day of press, and they'd agreed to do it. And literally on the day they said, 'No. We ain't doing that.' And they just legged it. And they walked to the Eiffel Tower and had a really good chat about the band and what they wanted to do and stuff. And obviously they hacked off an awful lot of people. That was a pan-European press thing and they just blew it out." If some sections of the media have been given short shrift by the group, then the group have made no secret of their annoyance at the newspaper coverage of their success. In particular they have taken exception to the way in which they have been portrayed as the lucky beneficiaries of an internet revolution, such that their success was all down to file-sharing and a well-promoted MySpace profile. Of the four of them, it is Nicholson who was most bewildered by this interpretation of events. "Someone were saying to me the other day, 'Oh, I saw your MySpace profile'. I ain't got a MySpace profile," Nicholson insisted, as recently as last November. "I've never been on it." Whatever speculation has been prompted by Nicholson's apparently temporary departure, there is unanimous agreement among those around the group that this is not a "Pete Doherty moment". The band's period in the spotlight has yielded absolutely no talk of reckless hedonism or rock'n'roll excesses. "That simply can't be the explanation," McLean says. "There's not a hint of drugginess about them, at all. In terms of fatigue, they've all got an equal right to be shattered. The reason he's given up is more likely to be the bog-standard thing that he just can't be arsed; it's just all too much fuss. Flying, and staying in nice hotels and being taken for nice meals and whatever, I can't imagine it holds much allure for him. He might think, 'oh, I can't be bothered'." This explanation is certainly consistent with other reports of Nicholson's behaviour on the road. When the rest of the band trooped off to a star-studded party in honour of Coldplay at the celebrated Manhattan restaurant The Spotted Pig last month, the bass player cried off, pleading "fatigue". "I find that sort of thing right awkward, so I stopped in bed," he explained. Nicholson is described as the archetypal bluff northerner, very deadpan, with a dry sense of humour. His sole concession to his status as an international rock star is his habit of popping up the collars of his polo shirts before going on stage. He and drummer Matt Helders are a wisecracking double act who constantly take the mickey out of each other, and those around them, in the way that old schoolmates do. And as a unit of close-knit friends, whose connections with each other date back to primary school , there is a strong group identity and a longstanding social bond among the four of them. But none of them is particularly well equipped, at this stage, to deal with life in the celebrity goldfish bowl. The singer and guitarist Alex Turner doesn't like being fawned over and intensely dislikes being asked endless questions about the lyrics of his songs. But he is somewhat gregarious. Nicholson is neither gregarious nor likely to be asked about the intricacies of his funky bass-guitar lines. A chunky kind of guy, Nicholson has been prone to the occasional mishap. When the band played the London Astoria in October, selling out the venue before they had released their first single, Nicholson bashed himself with the headstock of his bass, triggering a nose-bleed which caused a brief delay in the set. And when the group took part in a friendly football match against a team from the Italian media (in lieu of undertaking yet more unwanted interviews), a midfield clash between Nicholson and a journalist resulted in a broken ankle for the journalist. But now it is Nicholson who needs a spell on the recovery bench. "People think that it's a glamorous life on the road, but it's really not," says the band's PR, Anton Brookes. "He's a pop star, but he's also a human being. He's probably just completely knackered." |
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| Autore: | TRAVIS [ 26/05/2006, 14:53 ] |
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| Autore: | Rinie [ 28/05/2006, 11:19 ] |
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l'altra sera a Lucignolo mentre parlavano di maiale e papponi, hanno passato fake tales of san francisco 
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| Autore: | Baro [ 28/05/2006, 11:57 ] |
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si, passarono anche Bet Look Good e gli Strokes mi pare |
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| Autore: | Mr_Ares [ 28/05/2006, 14:53 ] |
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| Autore: | scleraz [ 29/05/2006, 15:43 ] |
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un'intervista a Matt: è un po' vecchia ma secondo me non è male...però è un po' lunghina
Interview By : Dave Park By the time the Arctic Monkeys arrived in New York for the first time, they’d already been called the biggest band in Britain; their single, “I Bet You Look Good on the Dancefloor,” had already gone number one in the United Kingdom; and they’d already drawn aural jabs from Noel Gallagher. The two shows they would play in New York had sold out months ago – the second was moved from the Mercury Lounge to the larger Bowery Ballroom to accommodate for the demand. To say they were the next big thing was to admit a lack of foresight. By all reports, the first show was for “industry types”; the second, for “regular folk” (many of whom, incidentally, had similar geographically divulging accents as the four boys from Sheffield – Alex Turner on vocals, Jamie Cook on guitar, Andy Nicholson on bass and Matt Helders on drums). And by all reports, both shows were dynamic. For a band that’s been as hyped as the Arctic Monkeys, there was no real gimmick in the performances — unless you consider a young band having fun on stage to be a gimmick. At the Bowery, the group entered the stage to Dr. Dre’s “Next Episode,” then went on to blaze through its set – with significant help from the members of the audience, many of whom sang along to every word. The band’s debut isn’t slated to be released until next year. It’ll feature re-recorded versions of many of the demos that have been circling with some rabidity throughout the Internet, a tool that has been credited as a key player in the band reaching its current status. We sat down with Helders at the Mercury Lounge before the band’s first New York City show and learned about the band’s beginnings, the true story behind the name and the members’ decided lack of computer savvy. Prefixmag.com: How many interviews did you do today? None. This is the first. PM: Do you have a couple more later? Arctic Monkeys: Yeah, I think so. PM: How old are you guys? Arctic Monkeys: Three of us are nineteen and one is twenty. PM: Did any of you guys go to college? Arctic Monkeys: Yeah, we did, ‘cause in England you start college at sixteen. You leave high school at sixteen and go to college for two years or three years. And me and Alex, the singer, did about two years. PM: So you’re done? Yeah, we finished about two years ago. PM: So then you worked a regular 9 to 5? Arctic Monkeys: Yeah, yeah. I started working part-time. PM: How long has the band been together now? Arctic Monkeys: About three years. Just over three years. PM: Were you guys friends first? Arctic Monkeys: Yeah, we were friends before we formed a band — before we learned instruments, really. We learned together. It was a nice way of working it. PM: So you guys met back in high school? Arctic Monkeys: Well, me and Alex grew up together; [we’ve known each other] since we were about seven or eight years old. And we all lived pretty close to each other, so we’re all linked from a young age. PM: When did you have aspirations about being in a band? Arctic Monkeys: I don’t know. It was just kind of something to do when we were younger. At fifteen or sixteen, some of our friends were in bands that we used to go watch, and we kind of thought it looked like an interesting thing to do. You see people in bands and you wonder how you get into that industry — it looks like a lot of trouble. But it’s really quite easy to start a band up, so we knew that it could be done, and we just decided to start a band. PM: Have there been any lineup changes so far? Arctic Monkeys: No, it’s been like this from the start. PM: Have any of you guys ever thought about quitting? Arctic Monkeys: I don’t think so. I haven’t. PM: The name of the band — that comes from the drummer of your father’s band? Arctic Monkeys: No, no. That’s a lie as well. I’ll tell you the truth. We made that up ‘cause we got so many people asking us that in the U.K. — every interviewer asked us about that. So we just started making stories up. We made so many up that it was hard to keep track. It’s just a name. Jamie, the guitarist, came up with it at school before we were in a band. He just always wanted to be in a band called Arctic Monkeys. PM: Most band names are a bit awkward to chant at shows, but have people been chanting “Arctic Monkeys” at shows? Arctic Monkeys: They chant “monkeys” instead. In England they shout “monkeys.” In Canada last night they were chanting “arctic.” PM: So this is the first U.S. show for you guys? Arctic Monkeys: Yeah, we were in Canada last night. PM: How was that? Arctic Monkeys: It was a good one. PM: Were you guys nervous at all? Arctic Monkeys: A little bit, but it seems more exciting than anything. It’s a challenge to play for new people. PM: What do you think about so many publications and people calling your band the next big thing? How do you feel about that? Arctic Monkeys: It’s flattering for people to say it and it’s nice to hear, but you don’t want it to go so far that it’s not about the music — that it’s about people being told to like it, so they do. I don’t want people like us for the wrong reasons. But I think people aren’t stupid. They can see through it and realize that they do actually like us. PM: What role do you think the Internet had in where your band is today? Arctic Monkeys: Quite a big part, actually, but it’s not like we had a plan. We used to record demos and then just burn them onto CDs and give them away at gigs. Obviously there weren’t many demos available, so people used to share them on the Internet, which was a good way for every to hear it. So we used to share — not us personally, we don’t even know how to do it — but fans did. There’s a guy who has come along to film us — two guys, actually; one of them is the main guy who put the songs on the Internet. So the fans just used to send them to each other, which didn’t bother us because we never made those demos to make money or anything. We were giving them away free anyway — that was a better way for people to hear them. And it made the gigs better, because people knew the words and came and sang along. We can’t complain about it. PM: The guy who was putting the songs on the Internet — did you know him before? Arctic Monkeys: We knew of him; we met him a couple of times. But we got to know him through all that, ‘cause he’s a photographer as well, and he made the first video. The two guys that are here tonight made the “Fake Tales of San Francisco” video. It didn’t actually run in the U.S. It was only on his Web site, but it ended up on MTV in England. PM: And he’s on tour with you guys now. Arctic Monkeys: Yeah, he’s filming. PM: So you guys didn’t even know how to your music on the Internet? Arctic Monkeys: No, no. PM: Are you guys Internet users? Arctic Monkeys: Only to e-mail or whatever; iTunes, stuff like that. But none of us really knew how to. It was a guy at college who made the Web site. We had tried putting music on the site, but it didn’t work properly. People couldn’t listen to it properly. PM: I notice you have a pretty popular site on Myspace. Arctic Monkeys: We don’t know about that, either. PM: So that’s not you guys? Arctic Monkeys: No, no. The other day someone said to us, “I looked at your profile on Myspace.” I said, “I don’t even know what Myspace is.” [When we went number one in England] we were on the news and radio about how Myspace has helped us. But that’s just the perfect example of someone who doesn’t know what the fuck they’re talking about. We actually had no idea what [Myspace] was. PM: Another band that seems to often come up in conversations about the Internet and music is the Brooklyn band Clap Your Hands Say Yeah. Are you familiar with them? Arctic Monkeys: Yeah, I’ve heard of them, but I haven’t actually heard them. Are they in England at the moment? PM: That sounds right, but I’m not sure. Arctic Monkeys: I think they might have come to one of our gigs in Munich. There was a rumor that they were watching it. I’ve never seen them though. PM: I only bring them up because most of their acclaim came from the Internet. What do you think about critics who say you’re just the flavor of the month? Arctic Monkeys: I can see why people say it, but I don’t think it is. It’s not exactly the same as everything that’s around now. You can see something is happening now in music, especially in England. I don’t know what it’s like out here, but in England you can see a certain type of music that’s happening. You can see more bands are doing the same thing. But I don’t think ours is the same as that. So I think we could last. We’ve been at it for so long, doing these songs, and we’re doing this first album now — we’ve finished recording it — and we’ve got like eight songs for the second album that have advanced further than that. I could see them attracting more mature audiences, as well. PM: So you have the album that’s going to come out in the U.K. in… Arctic Monkeys: January — end of January or February. PM: Then it’s going to come out in the U.S.? Arctic Monkeys: Yeah, I think it’s a month later. PM: But you guys have already started on a second album? Arctic Monkeys: We have not recorded anything, but we’ve got about four full songs and we’ve got about four ideas for new songs as well. PM: Is it different from the first album? Arctic Monkeys: It’s a bit. We had songs while we were recording this album, and we [wondered if] we should we put them on this album or not. We had such local success with the demos, so we thought we should re-record some of the demos. But there are certain things that you can’t miss out on. If people listen to it in ten years, it’s not going to be an accurate representation of what it was if we just put all brand new songs. So it’s just to remind people of what it was like. PM: That album’s coming out on EMI? Arctic Monkeys: It’s on Domino, but it’s EMI Publishing. PM: What about the U.S.? Arctic Monkeys: It’s Domino as well. But I think it’s only for a certain amount of records— maybe 100,000 or something — because they’re a bit smaller over here and might need a bit of help. That’s as far I understand it. PM: People are saying that the deal was for million pounds. Arctic Monkeys: No, no. There was a newspaper in England that said we signed to EMI for $750,000 and to a label in England for a million-dollar publishing deal. And it’s all bullshit. I don’t know where it came from. It said, “a close source to the band tells us.” No. They were just making that stuff up. PM: Whatever the deal was actually for, did you buy anything nice afterward? Arctic Monkeys: I bought a car from the publishing deal. PM: What kind of car? Arctic Monkeys: I don’t think you guys have them over here — a Vauxhall Corsa. It’s like a small sports car. PM: What’s the story behind the video for “I Bet You Look Good on the Dancefloor”? Arctic Monkeys: We had a program in England called “The Old Grey Whistle Test,” from the ‘70s and ‘80s. It was a live show that a lot of great bands played on. We all liked watching the program from DVD and then we just tried to recreate that. We were going to do it full-on and get the guy who used to introduce bands in the beginning, and go for that sort of thing — so that it looked like a British, ‘70s music show — use the same cameras they used to use and whatnot, go for an old look. PM: I like the video, but it seemed weird that you guys were going nuts without an audience. arctic Monkeys: We played it live — it’s not a backing track. It’s a separate recording, like the Strokes do with their videos sometimes. When you see people on T.V. shows you still have to give a good performance. PM: Is it weird to play that song now that it’s so big? Arctic Monkeys: Yeah, it is a bit. It’s still good to play because of the reaction, especially in different countries. PM: Do you feel obligated to play it? Arctic Monkeys: I suppose so. In England, on the U.K. tour we did “Fake Tales of San Francisco” and then “I Bet You Look Good on the Dancefloor” as the first two songs, which were the first two singles. It’s just one of those things we were doing just to see what we can get away with. PM: What has been the most difficult problem the band has encountered up until now? Have you had any major issues? Arctic Monkeys: No, not really. Just sometimes decisions about photo shoots. It’s always awkward when you don’t want to do something. You say no, but you also don’t want to hurt anyone’s feelings. PM: Is that your least favorite part of the whole press thing? Photos? Interviews? Arctic Monkeys: I guess photos. In England we can afford to say no to a lot more things — we’re in a position to do what we want. Obviously it wasn’t always like that. There are just so many things that get suggested for photos or T.V. You feel like saying no to everything. Apparently we’ve turned down 60% of the press. I don’t know what the worst thing is, really. Usually it’s photo shoots, when you don’t want to do something. You just report to these busy cities, and it’s just like, No, we don’t want to do that. And then you see their faces, and it’s like, “I’m sorry. We just don’t want to do it.” PM: Looking back, was there a specific turning point for the band? Arctic Monkeys: Yeah, there was one gig where we noticed things were advancing. We were at a gig in Sheffield around Christmas last year. That was like the first gig that was really full. It wasn’t a big venue — probably about the size [of Mercury Lounge]. It was the first gig where people [who we didn’t recognize] were singing along. We were like, How do you know the words? That was definitely the point where we were wondering, What’s happening here. Then we got off stage, Alex said, “Did you see that girl who was singing along? Who was she? We don’t even know who she is.” PM: What are your upcoming plans? Arctic Monkeys: After this U.S. tour we’ve got Japan and then we’re back in England for about a weekend. Then we’re back in Europe for press and a couple of gigs with Franz Ferdinand, and then we have a gig straight after that — our own gig in a club. So it’s like, we finish supporting Franz Ferdinand, practice, and then play our own gig to spread the word in Europe more. Then a little bit of recording, three weeks after Christmas, and then next year’s pretty hectic. PM: Are you worried about getting burned out? Arctic Monkeys: Yeah, but it’s all exciting these days. It’s still all new to us. PM: You’ve been to the U.S. before, right? Arctic Monkeys: Yeah, not with the band but on vacation and stuff. I’ve never been to New York, but my brother lived in North Carolina. I’ve been to Florida and Disneyland and all that. PM: You guys are fans of Oasis, correct? Arctic Monkeys: It’s a band we’ve always been into. Oasis has always been there, ever since we were young and growing up. Not necessarily their newer stuff, but I’ll always pick up their first album and their second album and listen to them. PM: Have they been talking about you guys? Arctic Monkeys: On Radio 1 Noel Gallagher talked about the band name, saying it was a crap name. But we’ve been told by their manager — ’cause our manager knows their manager — that he really likes us. But a lot of people have blown it out of proportion. Jo Whiley is the Radio 1 deejay who interviewed him, and she had a bet with him. He said any band with a name like that won’t win any Brit awards or Grammys. They bet like 50 quid. So they had a bet on air, and it’s an ongoing thing now in the U.K. PM: What’s with bands in the U.K. dissing each other in the press? It’s like hip-hop in the U.S. Arctic Monkeys: Yeah, it’s like the rap scene. But that’s another thing that’s blown out of proportion by the press. Now, NME is trying to make it out like with have some beef with Kaiser Chiefs, but I think it’s ‘cause we don’t do enough to write about. We don’t go out punching reporters or throwing TVs out windows, so they have to find something to write about. PM: People are trying to create a beef between you guys and the Kaiser Chiefs? Arctic Monkeys: There have been a couple of things said, but nothing that has made any beef. PM: Do you guys have girlfriends now? Arctic Monkeys: I have, but the other guys don’t. PM: Do you guys get calls from ex-girlfriends or people you haven’t heard from in awhile? Arctic Monkeys: Actually, yeah, the day we went number one. She wasn’t a girlfriend, but she went to school with me and Alex, and she was always a close friend that you’d look to go out with. We lost contact completely after school, and then she pretended she didn’t recognize us in the queue for a club a year later. And that influenced a song we’ve got now. Then she got Alex’s number from someone a few weeks ago. So she phones one day and says congratulations and stuff like that. Then she asks, “Is anyone else there? Is Matt there?” and Alex says, “Oh, yeah, Matt’s here.” Then he puts me on and doesn’t tell me who it is. She was talking to me for ages and saying congrats on being number one. She says, “Text me your number. We’ll have to get together and go out sometime.” I’m like yeah, yeah, yeah. I didn’t realize who it was until I got off the phone Then there was another one that Alex used to go out with. She went at it face to face. [One of his friends told her he was in a band now] and that they just got signed, and then she says, “Oh, can I have his number.” Just because we’re signed. Then these girls used to say, “Text me when you’re signed.” What do you mean, text me when you’re signed? I’m never gonna text you in my life. It’s funny though. The person I’m going out with, we’ve been going out since before we were signed. PM: That’s good. You’ve got a good one. Arctic Monkeys: That’s what I mean. Now, you can’t trust anyone. PM: I read somewhere that you guys were pretty big into hip-hop? Arctic Monkeys: Well, three of us are. Not so much anymore but when we were in school. PM: Mostly U.K. stuff? arctic Monkeys: I suppose so, but when we were in school it was always Dr. Dre and Eminem. Like Dre’s 2001 and the Up in Smoke tour. We bought that DVD the other day for the tour bus. Also stuff like DJ Format. PM: For the next questions, I’m going to say the title of your songs, and you tell me the first word that comes to mind. The first one is “I Bet You Look Good on the Dancefloor.” Arctic Monkeys: Number one. PM: “Fake Tales Of San Francisco.” Arctic Monkeys: Funky. PM: “Still Take You Home.” Arctic Monkeys: Ex-girlfriends. PM: “Dancing Shoes.” Arctic Monkeys: This is gonna be more than word, but “looking for love.” PM: “Ritz to the Rubble.” Arctic Monkeys: Doormen, or bouncers. PM: “Red Light.” Arctic Monkeys: Taxis. PM: “View From the Afternoon” Arctic Monkeys: Clubbing. PM: “Vampires Is a Bit Strong But… .” Arctic Monkeys: Drum solo. That’s my time to shine. [Laughs.] PM: “You Probably Couldn't See.” Arctic Monkeys: Secret love. PM: “Sun Goes Down.” Arctic Monkeys: Scummy. That’s what the song used to be called. It’s what it’s known as sometimes, but it’s not the actual name. PM: “Mardy Bum” Arctic Monkeys: Girlfriends. PM: “Certain Romance” Arctic Monkeys: Classic. http://www.prefixmag.com/features/A/Arctic-Monkeys/255 |
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| Autore: | ArcticCricy [ 29/05/2006, 15:48 ] |
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